The essay film reflects on the life and work of the North American activist Angela Davis. The film is neither a biography nor a fictional narrative. Instead, Diawara’s footage, which is interspersed with relevant archival material, presents itself as a poetic compendium of Davis’s critical thinking and an inspiration for new imaginaries and new relations within an emergent new world.
Commissioned by Sharjah Art Foundation with major funding from the Mellon Foundation, co-commissioned by TBA21 Thyssen-Bornemisza Art Contemporary with the support of Centro Cultural de Belém Foundation, Lisbon, and Portuguese Ministry of Culture / Directorate-General for the Arts. Produced by Lumiar Cité / Maumaus, Lisbon.