In response to the COVID-19 pandemic, a collective of indigenous artists belonging to India’s ‘ex-criminal’ De-notified Tribes and associated with Budhan Theatre, decided to produce video-podcasts of the impact of the pandemic on the margins. This process was an effort to generate memory against processes of collective amnesia and to usher indigenous communities to the digital space in a post-pandemic context. Mhara Pichchar combines storytelling with music, poetry, performance and narration to bring to the fore issues and debates that are absent in mainstream media. The film traverses several strands covering the personal and artistic trajectories of the protagonists, using behind-the-scenes interviews of the creators and footage from the podcast as the narrative trope.
